Dru Blair: - Waterhouse WorkshopHeld Oct 30-Nov 3, 2019


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"LADY of SHALOTT"

WATERHOUSE WORKSHOP

WITH DRU BLAIR

 

Simple Step By Step Instructions

Dru Blair shows you how to paint this Masterpiece from start to finish.

 

Color Theory

Comprehensive and easy to understand. Learn all you need to know about color in one day.

Guaranteed to improve your Art



Tuition $999 USD | Oct 30- Nov 3, 2019
All inclusive packages from $1,515 USD

Create this
Waterhouse
masterpiece
in it's entirety

In just 5 days you will learn how to paint 
"Lady of Shalott" using brushes and airbrush. 

New to airbrush? New to traditional brushwork?

No problem. Dru and his staff will teach you all you need to know step by step. You will be amazed at his clear and simple methods. 

Supplies included

We take care of everything in the classroom, from paint, to canvas to airbrushes. All you need to bring is your desire to learn.

It's easier than you think


Don't worry. We've got your back. We will show you techniques that make it easy for anyone to paint like this. You might not believe that you can do this, but we'll guarantee your success.

Learn what makes a painting beautiful.


There's a certain quality in the old masters' work that isn't seen very often these days. Understanding how they painted will help add more beauty and quality to your own paintings.

 


 

Paint something monumental

We will give you the tools and knowledge to make a statement with your art that's worthy of a gallery. Making great paintings is good for your art career, because great works sell themselves

Designed for Beginners and Pros

This class is full of techniques and tricks that are not taught anywhere else in the world. Its a wonderful marriage between the airbrush and the traditional brush. You might just surprise yourself with the results.

Color theory that solves all your color matching challenges

Fear of color will be a thing of the past. Learn all about the color palette Waterhouse used to create his amazing works, and how to take your painting to the next level!

The tools you need

We aren't just limited to teaching you all about the brush and the airbrush. We include a variety of other art tools to help you make your present and future artwork the best possible.

52 Hours of instruction

You've probably heard that our classes run late. That's because there is so much content that we want to share with you. There are no distractions in Blair, and it's easy to focus on your painting.  Many students would paint all night if they could.

What you will learn

01

Where to begin

When faced with a new painting, its often difficult to know where to start. We will take you step by step through the painting from beginning all the way to the end.

02

Layout and composition of the Masters

Solid composition is a common quality to all of the great master's paintings, yet it is the most overlooked. Here you will learn how masters, such as William Waterhouse assembled his compositions.

03

The 8 differences between Opaque and Transparent paint

When should you use transparent paint or glaze, and when should you use opaque paint? Each has unique characteristics which need to be considered first. You will learn all the differences, and when and why to use each.

04

Surfaces

We will show you how to render water, vegetation, skin, and distant objects

05

Two styles

Waterhouse painted his figures realistically, but his backgrounds were clearly influenced by the impressionists. You will learn both styles.

06

Color Theory

Our original theory was initially conceived in the eighties, and is now practiced in some form all over the airbrush world. This is a practical approach to color and color mixing that actually corresponds to the way paint behaves. It is simple, yet comprehensive in scope.

07

How to use the Color Wheel

The color wheel is a compass. We will show you how to choose the right color wheel and how to use it correctly. It can be your best aid when mixing and matching colors.

08

How to match color....perfectly

Color can be intimidating, but fear of color will be a thing of the past after we show you how to match a color dead-on every time. You will love this process, especially if you are tired of painting in shades of grey.

09

Blending techniques

The airbrush and the traditional brush require different approaches when blending. We will show you how to use both.

10

Choosing the right brush and the right paint

There are so many choices out there, and it can be quite confusing. We will help take the mystery out of paint, brush and airbrush selection, so that you use the best products for your paintings.

11

Transferring your image to the painting

There are 5 different ways to draw your source image onto the canvas. We will show you all of them.

12

Creating drama with light

Waterhouse was a master at lighting his figures. We will show you how and why he used light to tell his story.

13

the 6 rules for hair

If you want your hair to look more like the masters', then follow these simple rules. We will show them all to you, as well as some extra hair tips for greater realism.

14

Brush vs Airbrush

Each has its advantages and disadvantages. We will go over all of them, and show you when to use each in your painting.

15

Tool introduction

We don’t limit your training to just the brush and airbrush. There are many tools that can enhance your painting, and we want you to be able to enjoy having the best of them in your arsenal. You will also learn the results for each tool, so you will know which tool is best for each situation.

16

Negotiating techniques that work

Negotiating a price for your work is probably the most stressful part of being an artist. We will show you negotiating methods that will help remove the stress when working with a client.

17

Selling your work

Learning about the business of art and marketing allows you, as an artist, to earn money for your creations. You will learn about pricing, galleries, copyright, prints, giclées, originals, and artist representatives.

State of the Art Classroom
unlike any other on the planet

Color corrected lighting. Central Ventilation
On-site lodging on a 120-acre campus
nestled in a National Forest

What students are saying



I attended Dru's workshop with the hope of learning to paint, I left with the ability to "see" and a system that allowed me to develop my own understanding of painting and colours. Your system has given me the freedom to explore my own creativity.


Paul MacDonald

(Airvengers) Australia



Dru's teachings showed me how to create great detail and gave me the ability to achieve PHOTOREALISM in my artworks. Thank you for pioneering the world of photorealism in airbrushing, I doubt I would have got here without your long nights and many experiments .


David Naylor

Spain



Dru's workshop influenced the way I paint and gave me some new concepts, knowledge and skills to implement into the way I worked today I recommend it!


Mitch Lowther

(Airbrush tutor) Australia

Our
Guarantee

We are so sure that we offer the best airbrush course in the world that we are willing to offer you tuition money back if you don’t notice an immediate improvement in your art, and in the way you see the world after taking this course.

About this painting

John William Waterhouse's painting was inspired by Alfred Tennyson's poem about a lady imprisoned by a curse that she may never gaze upon Camelot except by mirror. When she violates the curse by looking directly at Lancelot, she realizes she is doomed anyway, and sets out by boat to Camelot. She dies before she arrives and the knights find her. Here is a stanza from the poem

"Who is this? And what is here?"
And in the lighted palace near
Died the sound of royal cheer;
And they crossed themselves for fear,
All the Knights at Camelot;
But Lancelot mused a little space
He said, "She has a lovely face;
God in his mercy lend her grace,
The Lady of Shalott."  


 

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